Pre-Production
Scene 1 – Taxi Arrival
A London taxi pulls up beside the curb. We frame the moment through a foreground element such as a wall or foliage to create depth and introduce the setting with a composed, steady tone.
Shots required
- Full exterior of vehicle
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Shot 1
Scene 3 – Conversation Inside the Taxi
A relaxed exchange between the models and the driver. We frame them together from the front, allowing the interaction to guide the moment without drawing attention to the camera.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Hand-held with cage
Scene 5 – Taxi Window Motion
We film from inside the moving taxi. Two versions are captured: one at a normal shutter for clarity, and another at a slower shutter to introduce gentle motion blur across the passing environment.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Hand-held With Cage
Scene 7 – Drinks at the Bar
Drinks are arranged on the bar with balanced placement. The framing is simple and steady, allowing the details to stand out.
Shots required
- Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Scene 9 – Portrait Series
Each model is filmed individually against a neutral backdrop. Movements are subtle, such as adjusting a sleeve or turning slightly, creating simple and elegant portrait moments.
Shots required
- Outside Pub
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 11 – Notting Hill Walk
The models walk together through Notting Hill. We follow closely with a gimbal, capturing small gestures and genuine conversation.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 13 – Crossing the Street
A model walks across a pedestrian crossing at a calm pace. If the location becomes busy, we film an alternate shot where the model stands still while the environment moves around them, using a slow shutter for motion blur.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 15 – Night Taxi Pickup
A nighttime taxi arrives to collect the models. Headlights and ambient street lighting create atmosphere as we capture a panning shot of the vehicle and the group entering.
Shots required
- Full exterior of Taxi
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 17 – Closing Shot
Wine is poured into a glass, framed with candles and soft background highlights. The final shot holds for a pause before gently fading out.
Shots required
- Inside room
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 2 – Driver’s Remark
Inside the taxi, the driver makes a passing comment. We capture his reaction from the front passenger angle in a calm, documentary-style shot that feels natural and unforced.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Hand-held with cage
Shot 2
Scene 4 – Taxi Departure
The taxi drives across the bridge. We hold a rear-facing shot as it moves through the environment, giving the scene a steady transition toward the next location.
Shots required
- Full exterior of vehicle
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 6 – Walk Toward the Pub
Two models walk side by side toward the pub entrance. We follow at a measured pace, keeping the shot steady and allowing their conversation to carry the moment.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 8 – Approaching the Pub Entrance
All three models walk toward the entrance together. We move behind them on a gimbal as they open the door and head inside, keeping the motion smooth and unobtrusive.
Shots required
- Outside of Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 10 – Inside the Pub
A relaxed group moment inside the pub. The models talk and laugh naturally, filmed in a steady framed shot that focuses on interaction and atmosphere.
Shots required
- Inside Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Scene 12 – Cycling Through the Street
A model rides a Lime bike. We film a forward angle, a side profile, and a close-up of the pedals and tyres. The mood is relaxed and light.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 14 – Phone Booth Portrait
A model interacts with a traditional red phone booth. We film a series of composed angles with gentle, controlled movements that highlight character and posture.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 16 – Candle-Lit Dinner
The models share a candle-lit meal. The lighting is warm and soft, balanced to maintain texture on faces while keeping the scene intimate.
Shots required
- Inside room
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Every project begins with a clear plan.
Pre-production shapes the outcome, strengthens the story, and brings consistency to the work.
It is the stage where ideas become practical, where locations, cast, movement, and lighting are mapped with purpose.
This foundation allows the team to deliver considered, memorable results.
Pre-Production
Scene 1 – Taxi Arrival
A London taxi pulls up beside the curb. We frame the moment through a foreground element such as a wall or foliage to create depth and introduce the setting with a composed, steady tone.
Shots required
- Full exterior of vehicle
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 2 – Driver’s Remark
Inside the taxi, the driver makes a passing comment. We capture his reaction from the front passenger angle in a calm, documentary-style shot that feels natural and unforced.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Hand-held with cage
Scene 3 – Conversation Inside the Taxi
A relaxed exchange between the models and the driver. We frame them together from the front, allowing the interaction to guide the moment without drawing attention to the camera.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony f1.4 24mm Lens
- Hand-held with camera cage
Scene 4 – Taxi Departure
The taxi drives across the bridge. We hold a rear-facing shot as it moves through the environment, giving the scene a steady transition toward the next location.
Shots required
- Full exterior of vehicle
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 5 – Taxi Window Motion
We film from inside the moving taxi. Two versions are captured: one at a normal shutter for clarity, and another at a slower shutter to introduce gentle motion blur across the passing environment.
Shots required
- Interior of vehicle
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Hand-held with cage
Scene 6 – Walk Toward the Pub
Two models walk side by side toward the pub entrance. We follow at a measured pace, keeping the shot steady and allowing their conversation to carry the moment.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 7 – Drinks at the Bar
Drinks are arranged on the bar with balanced placement. The framing is simple and steady, allowing the details to stand out.
Shots required
- Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Scene 8 – Approaching the Pub Entrance
All three models walk toward the entrance together. We move behind them on a gimbal as they open the door and head inside, keeping the motion smooth and unobtrusive.
Shots required
- Outside of Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 9 – Portrait Series
Each model is filmed individually against a neutral backdrop. Movements are subtle, such as adjusting a sleeve or turning slightly, creating simple and elegant portrait moments.
Shots required
- Outside Pub
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 10 – Inside the Pub
A relaxed group moment inside the pub. The models talk and laugh naturally, filmed in a steady framed shot that focuses on interaction and atmosphere.
Shots required
- Inside Pub
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Scene 11 – Notting Hill Walk
The models walk together through Notting Hill. We follow closely with a gimbal, capturing small gestures and genuine conversation.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 12 – Cycling Through the Street
A model rides a Lime bike. We film a forward angle, a side profile, and a close-up of the pedals and tyres. The mood is relaxed and light.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Gimbal
Scene 13 – Crossing the Street
A model walks across a pedestrian crossing at a calm pace. If the location becomes busy, we film an alternate shot where the model stands still while the environment moves around them, using a slow shutter for motion blur.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 14 – Phone Booth Portrait
A model interacts with a traditional red phone booth. We film a series of composed angles with gentle, controlled movements that highlight character and posture.
Shots required
- Outside
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 15 – Night Taxi Pickup
A nighttime taxi arrives to collect the models. Headlights and ambient street lighting create atmosphere as we capture a panning shot of the vehicle and the group entering.
Shots required
- Full exterior of Taxi
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Scene 16 – Candle-Lit Dinner
The models share a candle-lit meal. The lighting is warm and soft, balanced to maintain texture on faces while keeping the scene intimate.
Shots required
- Inside room
Equipment
- Sony a7iv
- Sony 24mm f1.4
- Tripod
Scene 17 – Closing Shot
Wine is poured into a glass, framed with candles and soft background highlights. The final shot holds for a pause before gently fading out.
Shots required
- Inside room
Equipment
- Sony a7iv
- Sony 50mm f1.2
- Tripod
Shot 17
Why Pre-Production Matters
1. It defines the direction of the project
A structured planning stage clarifies your goals, message, style, and expectations.
This ensures the final work reflects your brand with precision rather than relying on guesswork.
2. It protects your time and investment
When the concept, schedule, and requirements are resolved in advance, production days run efficiently.
This reduces wasted time, avoids last-minute decisions, and prevents costly reshoots.
3. It establishes the tone and identity of the piece
Reference boards and creative direction help refine the atmosphere, character, and aesthetic of the project.
This is how we shape work that feels cohesive, recognisable, and aligned with your brand’s standards.
4. It keeps the team aligned and focused
Shot outlines, call sheets, and preparation documents ensure everyone understands the plan.
This coordination keeps the day organised and allows the team to work with confidence and clarity.
5. It prevents oversight and reduces risk
Key details such as locations, timing, logistics, and permissions are handled before the cameras roll.
This avoids avoidable issues and ensures nothing essential is missed on the day.
6. It raises the overall quality of the outcome
Strong preparation leads to work that feels intentional, polished, and well-crafted.
The difference is noticeable even if the audience cannot explain why.
7. It strengthens trust in your brand
Arriving with a refined plan communicates professionalism and reliability.
Clients, teams, and contributors feel assured that the process is structured and in capable hands.
8. It accelerates post-production
When the project is planned properly, the edit becomes faster and more precise.
Footage is organised, the tone is already defined, and there are fewer revisions later.